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Forthcoming publications

Oculi Occultati tarot
Radomił Bogusławski

We're delighted to announce the forthcoming publication of the Oculi Occultati tarot, by the artist Radomił Bogusławski. Taking over five years to complete, the images are stunning in their luminosity and expressive detail. 

The deck is currently in production; we expect it to be in stock on 1st August.

Holy Daimon
Frater Acher

Holy Daimon is the result of more than ten years of ritual and theoretical magical research, the book is comprised of three parts: History, Memory and Practice, providing a well-grounded introduction, as well as a practical path to creating communion with one’s holy daimon. 

Rather than drawing on Abramelin or Crowley’s Liber Samekh, Frater Acher returns to the source, analysing the daimon as it was experienced in three cultures, Chaldean, Zoroastrian and Ancient Greek. These give a necessary overview to contextualise the material that follows, and restores the daimon to its central place in the journey of attainment. 

Acher then gives a full account of his own personal communion with his holy daimon. As a magical record of a modern practitioner it is an important testimony for those embarking on the path, and a rare account given the secrecy within which most practitioners operate.  

In the third and final section of the work Acher gives his streamlined exercises for attaining communion with the daimon; culminating in a fully restored rite from the Greek Magical Papyri.

The pre-order for the standard hardback and fine editions is now open; the paperback edition will be available shortly after the standard hardback is in stock.

Recent publications

Magister Officiorum
Julio Cesar Ody

With Magister Officiorum, Ody has produced an essential text for those who want to practice Solomonic magic. The result of patient and extensive magical work, this is a record of attainment informed by the Western magical tradition, Espiritismo and Obeah. The subjects covered in this study include: the place of evocation, the magical circle and the book, the ritual tools and regalia, including the black handled knife, the brazen vessel, robes, and the pentagonal and hexagonal figures. Also addressed is ritual purity, and the necessity of authority in the art of commanding spirits.

Ody gives clear explanations of the process of ritual and the methods by which to ensure success in evocation – understood as a physical interaction between magician and spirit. Further, he demonstrates principles of magical working that are not explicitly given in the typically terse instructions of the grimoires. Also given is a method for the obtaining of a key to be used in the eventual binding of a King; how to bottle spirits; a working with the vessel and skull; and a rite for obtaining a patron spirit under the auspices of Lucifer. The rites given are suitable for solo practice and group workings, notably using the model of the séance (black table spiritism) in order to establish spirit cults. As a result the text will be of aid to both novitiates and experienced practitioners alike.

72
Ayis Lertas

The 72 demons, devils and monstrous beasts constrained within this 'book without words' by Ayis Lertas are iconic of all the vices, ills, impure appetites and perverse passions that thrive in the life of humankind.

In a style evocative of illustrations from medieval manuscripts, the artist presents, without explanation, a study of the afflictions that vex, tempt, thwart and harm us. These he has extracted from raw experience and distilled through art, so that a multitude of malign forces might be captured in the form of images to illuminate the obscure depths of the psyche. Contemplating these illustrations, unmediated by text, will provoke a personal response in the viewer, the images acting in accordance with one's capacity, or resolve, to penetrate the wilder reaches of the inner world. For some this will be a medicine, or a drug, for others a source of sensual and intellectual arousal.

The phantasmagoria of 72 draws from the long history of European demonology, but is marked by the acuity and black humour of the artist.